The creator of Cyberpunk’s tabletop game is helping CDPR make Cyberpunk 2077

Cyberpunk 2077

Cyberpunk 2077 is going to be authentic – that much is guaranteed. That’s because the creator of the original tabletop game, Mike Pondsmith, has been working very closely with CD Projekt Red, helping out with everything from systems to lore. 

Cyberpunk 2077’s release is likely a way off, but when it’s announced it will join our ever-expanding upcoming PC games list

It all started around four years ago when Pondsmith received a phone call from CDPR. At the time, he’d never heard of them.

“I was imagining a tiny studio out in Poland that had done very little, and then I looked at The Witcher 2 and thought, ‘Wow. This is good. This is really good’. So I flew out to see them and realised they were genuine fans of Cyberpunk,” Pondsmith explains in an RPS interview.

CDPR didn’t know Pondsmith all that well either, it turns out. Outside of his work on tabletop games, he’d worked in videogames before, too.

“At the beginning of the project, I talked to them a lot, every week,” he explains. “For a long time they didn’t realise I’d worked in digital, but I’ve been doing pen and paper for 20 years and digital for 15. When I was explaining Cyberpunk to them, I was explaining the mechanics in a way that they understood and that helped them to realise I could contribute more to the actual design.”

This realisation led to Pondsmith helping out in building the game’s systems, as well as making sure the team at CDPR understood the core of the story and world. Mechanics in the tabletop game all serve a purpose, and rather than transferring them wholesale, he helped them figure out whether they made sense in a videogame adaptation.

“We had a discussion at one point, for example, about flying cars,” Pondsmith says. “I have them in Cyberpunk because they are a fast and efficient way of getting characters from one end of a ruined city to another. And trauma teams are there because we don’t have clerics.

“But what happens to these things in a digital, three-dimensional environment? Flying cars are cool but they’re not there for flying car gun fights. It’s not their place in the world. They’re a convenience in the design and like so many things in Cyberpunk they have a mechanical function rather than just being there because they’re cool.”

It wasn’t a case of if they can, rather, it was one of if they should. Judging by some CDPR job advertisements, it was eventually decided that, yes, a videogame would benefit from flying cars.